神話四部曲 — 預告片生成清單

Full body character design sheet, front view and side view on clean white background. Traditional Taiwanese religious comic art style — bold ink brush outlines, thick powerful linework, traditional Chinese painting influence, NOT Japanese anime, NOT cute or pretty-boy. Young rebellious boy Nezha with fierce defiant eyes, spiky wild black hair. Wearing red dudou vest over white shirt, dark pants. Flowing red Huntian Ling ribbon swirling around him, Fire-tipped Spear in hand, Wind Fire Wheels burning under his feet. Youthful but fierce energy, muscular compact build. High contrast dramatic lighting, film grain, 16mm film texture

Full body character design sheet, front view and side view on clean white background. Traditional Taiwanese religious comic art style — bold ink brush outlines, thick powerful linework, NOT Japanese anime. A young boy in cold silver celestial armor, standing stiffly like a soldier at attention. Neat tied-back hair. Dull lifeless eyes. He holds a halberd in one hand. Two small fire wheels hover beside his ankles. No chains. No ribbons. Pants are faded dark red (the last trace of his former rebellious self, almost gone). Slightly darker skin tone. Simple clean design, minimal accessories. He looks obedient and empty, like a puppet. Cold silver with faded dark red accent color palette. High contrast dramatic lighting, film grain, 16mm film texture

Full body character design sheet, front view and side view on clean white background. A traditional Chinese temple wooden carved statue of Guan Yu — NOT grey stone, this is a colorfully painted wooden temple statue. Bright red face, long flowing black beard, wearing vivid green warrior robe with gold-painted armor plates. Holding the Green Dragon Crescent Blade — a massive polearm with a very long wooden shaft taller than him, crescent blade at top, gripped with both hands. The statue has a dignified stern expression carved into the wood. Visible wood grain texture, painted surface with slight wear and aging. Traditional Taiwanese temple craft style, ornate details, high contrast dramatic lighting, film grain, 16mm film texture

Full body character design sheet, front view and side view on clean white background. Traditional Taiwanese religious comic art style — bold ink brush outlines, thick powerful linework, traditional Chinese painting influence, NOT Japanese anime. Hou Yi the divine archer — tall muscular athletic build but showing weariness, streaks of white and grey hair mixed into black hair giving an aged weathered look. Traditional Chinese warrior outfit in faded gold and brown colors, NO bow (bow is gone). Strong jaw, tired eyes that have seen too much glory and loss. Once-proud posture now slightly slumped with defeat. Strong mature facial features with visible age lines. High contrast dramatic lighting, film grain, 16mm film texture

Full body character design sheet, front view and side view on clean white background. Traditional Taiwanese religious comic art style — bold ink brush outlines, thick powerful linework, traditional Chinese painting influence, NOT Japanese anime. Chang'e the moon goddess — ethereal beauty in flowing celestial robes in a single pale icy blue color only, simple and elegant with minimal color variation, robes drift as if in zero gravity, long black hair floating weightlessly. Pale luminous skin, serene but deeply lonely expression, eyes that hold infinite solitude. Elegant and otherworldly. Strong ink brushwork on fabric folds. High contrast dramatic lighting, film grain, 16mm film texture

Pure black background with subtle aged paper texture, faint dust particles floating in dim light, very subtle warm sepia tone in the darkness, minimalist cinematic atmosphere. NO text, NO characters, NO words — background only, text will be added in post-production. Photorealistic, film grain, 16mm film texture, shot on Arri Alexa

Same as concept - post-production recommended for text cards

Slow subtle zoom in. Static scene, only smooth camera movement. No new objects appear.

Anime-cinematic style. A giant luminous golden lotus flower blooming in darkness, at its center stands a young rebellious boy — Nezha in traditional Chinese mythology design: red dudou vest, flowing Huntian Ling ribbon swirling around him, Fire-tipped Spear in hand, standing on Wind Fire Wheels. Defiant fierce eyes, youthful energy. Warm golden light radiating from the lotus petals. High contrast, dramatic lighting, animation style with cinematic quality, film grain, 16mm film texture

A giant golden lotus blooming in darkness with a rebellious young Nezha at its center in traditional red dudou, Huntian Ling ribbon flowing, Fire-tipped Spear raised, Wind Fire Wheels under his feet. Defiant expression. Golden warm light from lotus, anime-cinematic style, high contrast dramatic lighting, film grain, 16mm film texture

Slow push out from lotus center, revealing full figure. Lotus petals gently sway, ribbon flows in wind. No new objects appear.

Anime-cinematic style. A long column of identical celestial soldiers marching in perfect formation through a grand golden palace corridor, all wearing the same cold silver armor, seen from behind at a slight angle. Among them walks Nezha — wearing the same armor as everyone else, almost indistinguishable from the others. The only difference: his faded dark red pants beneath the armor, and if you look closely, his eyes still hold a faint spark of defiance unlike the others' completely blank stares. The uniformity is oppressive — he has been absorbed into the system. Traditional Taiwanese religious comic art style, bold ink brush outlines, high contrast dramatic lighting, film grain, 16mm film texture

Nezha trapped in a golden celestial palace, his red ribbon transformed into golden binding chains, spear become a scepter, wheels become a locked pedestal. Silver celestial armor replacing his red vest. Blank hollow expression. Ornate oppressive golden palace architecture. Cold silver-gold palette, anime-cinematic, high contrast, harsh dramatic lighting, film grain, 16mm film texture

Camera positioned in front, facing the marching soldiers head-on. A large group of identical soldiers march forward toward the camera in tight formation. One soldier in the center steps forward out of the group, walking toward the camera. Chains and restraints on his body loosen and drop to the ground as he walks. Several other soldiers behind him also begin stepping out of formation, following him forward. Traditional Chinese armor style, NOT Japanese anime, no capes or cloaks. No new objects appear.

Anime-cinematic style. A large ornate colorfully painted wooden Guan Yu temple statue (red face, green robe, gold armor) in a traditional Chinese temple, surrounded by thick incense smoke, dozens of burning incense sticks in bronze burners. Devotees kneeling and praying before the statue. Red candles, golden offerings, temple pillars with dragon carvings. The statue looks majestic but its eyes are empty — it cannot see who worships it. Traditional Taiwanese religious comic art style, bold ink outlines, warm red and gold tones, high contrast, film grain, 16mm film texture

Anime-cinematic style. A colorfully painted wooden Guan Yu temple statue (red face, green robe, gold armor) abandoned in a dusty dark storage room or junkyard, piled together with other discarded religious statues, broken furniture, and garbage bags. Thick layer of dust and cobwebs covering the once-majestic figure. Paint chipping and fading. Forgotten and thrown away — no longer needed by anyone. A single shaft of cold light from a dirty window illuminates the dust particles floating around the statue. Traditional Taiwanese religious comic art style, bold ink outlines, cold grey desaturated tones, high contrast, film grain, 16mm film texture

Anime-cinematic style. A colorfully painted wooden Guan Yu temple statue (red face, green robe, gold armor) shoved into a dark wall corner of a smoky underground Chinese gambling den. The statue faces the wall, squeezed between stacked chairs and old boxes. In the foreground and background, mahjong tables and card games, cigarette smoke haze, dim yellow lighting, men gambling intensely — nobody even glances at the statue in the corner. Completely forgotten and ignored. Traditional Taiwanese religious comic art style, bold ink outlines, dark moody tones, high contrast, film grain, 16mm film texture

Anime-cinematic style. A small decorative colorfully painted wooden Guan Yu temple figurine (red face, green robe) sitting on a modern office desk next to a computer monitor, coffee mug, and stack of documents. Reduced from a legendary warrior to a desktop ornament. The figure looks tiny and insignificant in the mundane office environment. Harsh office fluorescent lighting. Traditional Taiwanese religious comic art style, bold ink outlines, cold neutral tones, high contrast, film grain, 16mm film texture

Slow orbit camera circling around the statue. Incense smoke drifts upward, candle flames flicker gently. No new objects appear.

Static wide shot, no camera movement. Dust particles float slowly through a single beam of light from a dirty window. No new objects appear.

Slow pan from left to right across the gambling room, passing busy mahjong tables, ending on the statue shoved in the dark corner. Cigarette smoke haze drifts. No new objects appear.

Slow push in from wide office view to close-up on the tiny figurine next to the monitor. Fluorescent light flickers subtly. No new objects appear.

Anime-cinematic style. A lone muscular warrior Hou Yi with streaks of white/grey hair mixed into his black hair, giving him an aged weathered appearance. He sits slumped on a wooden stool in the center of a vast empty ancient Chinese imperial banquet hall. Traditional Chinese setting: long wooden tables with overturned bronze wine vessels and ceramic bowls on the floor, wooden stools knocked over, scattered chopsticks, abandoned silk napkins. Behind him on the wall, a huge detailed mural painting showing a heroic archer actively drawing his bow and shooting arrows at multiple burning suns in the sky — the archer in the mural is in a powerful dynamic shooting pose — but the mural is cracking, paint peeling and fading away. Hou Yi looks down at his completely empty hands — NO bow, NO weapon, nothing at all, just open palms facing up. At his feet, a pile of grey dust and dirt. Sitting defeated and alone in the vast hall, hunched forward, head hanging low. Traditional Taiwanese religious comic art style, bold ink outlines, warm golden tones fading to cold grey, high contrast dramatic lighting, film grain, 16mm film texture

Lone archer Hou Yi standing in an empty palace hall seen from behind, the golden sun-shooting mural on the wall behind him fading and peeling. His bow crumbling to dust in his hands. Defeated posture. Hall darkening, warm gold fading to cold grey, anime-cinematic, high contrast, dramatic fading light, film grain, 16mm film texture

Slow arc from side-front angle, circling slightly around the seated figure, revealing the vast empty hall around him. The emptiness of the space is the focus — overturned cups and scattered chairs visible in the background. Dust particles float in light beams. No zoom, fixed focal length. No new objects appear.

Anime-cinematic style. Chang'e floating above the grey barren lunar surface in her flowing white celestial robes, seen from behind. She reaches one hand toward a small blue Earth hanging in the vast black void of space. The distance between her hand and Earth feels infinite. Her robes and hair drift slowly in zero gravity like underwater. The only light is cold stark white moonlight from below, casting harsh upward shadows. Extreme isolation and emptiness. Cold white-blue palette, high contrast, anime-cinematic style, film grain, 16mm film texture

Chang'e floating above barren grey moon surface, reaching toward a tiny blue Earth in black space, seen from behind. Flowing white robes and hair drifting in zero gravity. Cold stark white moonlight from below. Infinite distance and isolation. Cold white-blue, anime-cinematic, high contrast, film grain, 16mm film texture

Very slow weightless drift to the right, camera gently floating as if in zero gravity. Robes and hair sway slowly in weightlessness. No new objects appear.

Anime-cinematic style. Close-up of Nezha in celestial armor standing in a vast empty celestial hall — no visible chains or locks, yet his expression is hollow and lost. He slowly raises his head, eyes reigniting with cold clarity — he realizes the prison was not chains but forgetting the door existed. Behind him, a faint outline of a doorway glows through cracks in the golden palace walls. The moment of awakening. Dramatic high contrast lighting, warm fire in his eyes against cold silver armor, anime-cinematic style, film grain, 16mm film texture

Close-up of armored Nezha in empty celestial hall, no chains or locks visible, hollow lost expression. Eyes reignite with cold clear fire — not anger but sudden understanding. Faint glowing doorway outline visible through cracking palace walls behind him. Dramatic high contrast, warm eye-fire against cold armor, anime-cinematic, film grain, 16mm film texture

Fast dramatic push in from hands to face. Character stays completely still, no body movement at all. The background gradually dims and fades into soft warm golden glow — not blinding white, just a gentle warm golden amber tone. Other soldiers and surroundings slowly fade into the golden haze, becoming silhouettes then disappearing, until only the character's face remains visible against the soft golden background. No character animation, no walls cracking, no destruction. No new objects appear.

Black background with flowing ink wash animation, black ink spreading organically from center forming abstract shapes, no text or characters. Warm subtle paper texture. Cinematic, film grain, 16mm film texture

Same as concept - post-production recommended for text and title

Static camera. Ink flows organically from center. No camera movement. No new objects appear beyond the ink animation.